![]() ![]() ![]() One to file in the concerts of a lifetime.”- BBC Music Magazine“ “Without doubt, we were in the presence of a great musician, and a great man. Yo-Yo Ma performed the Bach Unaccompanied Cello Suites in its entirety - nearly three hours! - in London at The Proms concert to more than 5,000 people. They have since been performed and recorded by many renowned cellists and have been transcribed for numerous other instruments they are considered some of Bach's greatest musical achievements. The title given on the cover of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso (Suites for cello solo without bass).ĭue to the works' technical demands, étude-like nature, and difficulty in interpretation because of the non-annotated nature of the surviving copies, the cello suites were little known and rarely publicly performed until they were revived and recorded by Pablo Casals in the early 20th century. Bach most likely composed them during the period 1717-23, when he served as Kapellmeister in Köthen. ![]() They are some of the most frequently performed and recognizable solo compositions ever written for cello. This flyer takes you through our various editions of Bach's Cello Suites.The six Cello Suites, BWV 1007-1012, are suites for unaccompanied cello by Johann Sebastian Bach. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.” “This edition does not present a perfect reconstruction of the lost autograph no editor could claim to do so. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ![]() It approaches the composer's original intentions as far as the sources will permit. The musical text of the edition is based on these findings. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. This new edition, based on volume 4 of the New Bach Edition – Revised (NBArev), now completes Bärenreiter’s collection of the cello suite editions. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.Īt Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. It is lost and this circumstance has always been a major challenge for editors. But the composer’s autograph has not come down to us. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level.Īppropriately and not surprisingly there are countless editions of the suites. The suites take centre stage in the cello literature. When you think cello, you think of Bach’s immortal cello suites. Urtext edition with articulation markings - Soft-cover performing edition ![]()
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